Victorian hairstyles for girls
Girl-teenager with long hairs. image by Vladimir Melnikov from Fotolia.com
Girls in the Victorian period (1837 to 1901) wore their hair long. Unless a girl was very ill, or a pauper in the workhouse, her hair would not be cut short. Short hair was reserved for men and school age boys. Below the age of 5, boys and girls looked much alike – both wore long hair and dresses.
The Victorians idealised young children as the embodiment of innocence. Young children – especially well-to-do children – were to be curly-headed cherubs.
Commonly girls' hair was worn loose, with a centre parting. Sometimes this style was cut with a fringe or drawn back under a hair band. Alternatively, sections of hair at each side of the head might be pulled back. These were twisted and secured with hairpins or tied back with a bow. On wealthier children, bows were often large. Outside, they wore hats – sun bonnets and straw hats for play; elaborate versions of ladies' hats for church. Poorer girls who worked as servants would have their hair braided or tied back and covered with a cap. If they were foundlings or orphans their hair might be cropped short on entry to the orphanage or workhouse.
- Commonly girls' hair was worn loose, with a centre parting.
- Poorer girls who worked as servants would have their hair braided or tied back and covered with a cap.
long curly hair image by Frenk_Danielle Kaufmann from Fotolia.com
Curls were prized by Victorians. On losing his baby curls, a Victorian boy would have his hair cut short but artificial methods would be used to maintain a girl's curliness – especially for parties, church or in wealthy families. Commonly a girl's damp hair was coiled around rag strips, which were bound tightly around the twists of hair (see Resources). The child must sleep all night in these rags. On waking the rags would be removed and the hair would emerge in long curls known as “ringlets”. Ringlets too might be decorated with ribbon bows.
- Curls were prized by Victorians.
- Commonly a girl's damp hair was coiled around rag strips, which were bound tightly around the twists of hair (see Resources).
Putting the Hair Up
up do hair wedding bride girl image by Paul Retherford from Fotolia.com
Putting the long hair up was symbolic of entering womanhood. While young girls wore their hair down, around aged 17, a girl would be permitted to put her hair up and her skirts would become full-length. Making her “debut” into society with the aim of finding a husband, she began dining with the adults and attending balls. For a girl of marriageable age to take her hair down or wear it loose was considered improper. In sexually mature girls, long, loose hair was associated with sensuality, vice and even madness. The sight of it loose hair would now be reserved for the husband and the bedroom.
- Putting the long hair up was symbolic of entering womanhood.
- The sight of it loose hair would now be reserved for the husband and the bedroom.
Sources of Inspiration
Good sources for images of Victorian girls' hairstyles are Victorian paintings, photographs, literature and advertising. Paintings like John Everett Millais' “My First Sermon” show the idealised curly-headed young girl. Millais' “A Child's World” was used in Pears Soap advertising and renamed, “Bubbles”. Pears Soap advertisements feature many images of curly-headed, centre-parted girls and boys.
Sophie Anderson's paintings show similarly sentimental images. Her “No Walk Today” shows a girl with curled hair and elaborate bows beneath her hat. Lewis Carroll's “Alice in Wonderland” demonstrates the typical loose hairstyle with hairband. Alice Liddel, the real life model for “Alice” was much photographed by Carroll and is shown with a simple centre parting and fringe.
- Good sources for images of Victorian girls' hairstyles are Victorian paintings, photographs, literature and advertising.
- Alice Liddel, the real life model for “Alice” was much photographed by Carroll and is shown with a simple centre parting and fringe.
- "Children Living in Victorian Times"; Mary Green; 2003
- The Ladies' Guide for Re-enactresses; Victorian Hairstyle for Girls...; Becca Kae; January 2011
- The Victorian Web; Girls Dress in the 1860s and '70's; George P. Landow
- The Victorian Web; The Devouring Woman and Her Serpentine Hair in Late Pre-Raphaelism; Meghan Edwards; 2004
- Margaret Atwood; Ophelia has a Lot to Answer For; 1997
- Beauty Soap and Bubbles: A History of Pears Soap
- Encyclopedia of Children and Childhood...: Victorian Art -- Demure Girls and Mischievous Boys
- "Life" Magazine: The Real Alice in Wonderland
- Hair Archives; Victorian Hair; Michael Warner
- Hairfinder: Rag Roll Hair Setting
- Beauty and the Bath: Hair Ringlets for Girls Parties and Costumes
- Victorian London Publications: The Lady's Dressing Room by Baroness Straffe: The Hair
- Free Pictures of Victorian Children Printed in 1885 and 1895
- The Victorian School: What a Victorian Schoolgirl Wore
- "Children in Victorian Times"; Jill Barber; 2011
- Literary Liaisons; Courting the Victorian Woman; Michelle Hoppe; 1998
Based in the Isle of Man, Tamasin Wedgwood has been writing on historical topics since 2007. Her articles have appeared in "The International Journal of Heritage Studies," "Museum and Society" and "Bobbin and Shuttle" magazine. She has a Master of Arts (Distinction) in museum studies from Leicester University.